Saturday, 13 June 2026

'2:19 p.m.' by Chris Scott

At 2:19 p.m. every day, we suddenly know. Everyone knows, the whole world. It stops all of us in our tracks, whatever we’re doing at that exact moment. At work, or on a bus, or in a field, in a forest, waiting in line at the grocery store. Even fast asleep, on the other side of the planet, because you can still know in your dreams. Of course you can. Within the first few seconds of knowing, we may hear a car crash in the distance, or a front door swinging open as some mother or father races off to their child’s school to wrap them up in their arms. Or we’ll see people just standing in the street, overcome, in shock, looking in all directions in newfound awe of their surroundings, and a healthy amount of fear. Knowing finally. Understanding completely. The stunned and silent sky punctuated with some laughter, some gasps, some screams.

The knowing never lasts for longer than a minute, with no possibility of remembering. Not even enough remembering to expect this tomorrow, yet again, at exactly the same time. Before the clock has reached 2:20, it’s long gone. But in those sacred and unreal seconds each afternoon, gazing into a stranger’s or a neighbor’s or a lover’s eyes, and seeing as if for the first time -- knowing, and knowing they know, too -- we somehow find whatever we need to make it to tomorrow.

 


Chris Scott's work has appeared in The New Yorker's Shouts & Murmurs, HAD, hex literary, Okay Donkey, Lost Balloon, Milk Candy Review, and elsewhere. He is a regular ClickHole contributor and elementary school teacher in Washington, DC. You can read his work at chrisscottwrites.com.

 

'Trollbooth' by Stephen Connolly

The car whines up the valley road, the booth already invisible in the gloom behind. His hands grip the steering wheel while hers lie clenched in her lap. The car sways around the curves, heavy with all their worldly goods. All except one.

She can’t bear to look at him, this man beside her. One look at his sullen face, his resentful frown and the rage will surely overwhelm her. Looking behind her is also verboten. The silent, empty cot on the back seat. 

Closing her eyes isn’t an option either, unless she wants to relive that moment: the Troll in all its baleful glory, hand outstretched, demanding the price of their passage.

All she can do now is stare at the road ahead. Towards the future that five minutes ago held such promise, a new life in a new place. And to start coming to terms with the silent, empty cot on the back seat. 

How could he have been so stupid, this man beside her?

I thought it said Tollbooth. On the map.

She gives a single sob, unable to tear her mind away from it, the silent, empty cot on the back seat. The hole gouged in her beating heart.

He will speak again soon, this man she thought she knew. His words will be the spark that finally ignites her wrath. And knowing what he will say, she is almost looking forward to the explosion.

We can always have another one?



Stephen Connolly was born in Canada, grew up in Scotland and South Africa but now lives in the Cotswolds. He graduated with an MA in Scriptwriting from Bath Spa University. His short stories have appeared in Far Off Places, Fictive Dream, Leaf Books, Stroud Short Stories, DoubleSpeak and Retreat West.

 

'Pentecost' by Fiona J. Mackintosh

Pentecost

Tempera with Pencil on Panel, Andrew Wyeth, 1989

Absence is your gift, your singular talent. You’re the master of negative space, of erasures as sharp and precise as an exacto knife, leaving only a beached and rotting punt or mothy curtains at an open window. It’s the notion that stirs you when news comes of the girl who drowned off Pemaquid Point. No one knows if she was swept away or walked into the sea with pockets full of rocks, but you don’t stop to wonder if a lover harpooned her heart, flooding it with sorrow and despair. When you hear her body floated in with the tide, you don’t imagine the feelings of the men who pulled her from the water and laid her on the quayside, who had to smell the sour gape of her mouth and touch her purple skin and weed-shackled limbs. Nor do you question, for all the drownings they’ve seen, if this one was different, putting them in mind of the daughters their wives had borne them. As you take up your soft-hair brush, your yolky eggs, and powdered pigments, all you picture are the black spear shadows of the drying poles and the billow of the seine nets taking flight, yellow and spidered as ancient lace. Yet, somehow, when we look at the finished work, what you’ve done with your crosshatched strokes and careful pencil lines is to show us the very thing we cannot see – the dead girl lying on the empty stones. 



Fiona J. Mackintosh is the Scottish-American author of the a flash fiction collection The Yet Unknowing World (http:/adhocfiction.com). A past winner of the Fish, Bath, and Reflex Awards, her stories were selected for Best Small Fictions 2023 and 2019, Best Microfiction 2019, and the 2018-19 BIFFY50. www.fionajmackintosh.com.

 

'The Cradle Will Rock' by Mollie McLean

The TV’s on in the background while my mother is talking at me. Valerie Bertinelli’s feeling ignored. Valerie’s mother is always busy, sorting out her sister’s drug overdoses, her bad skin. Valerie with big brown eyes like mine, not like mine. Valerie with brown hair like mine, not like mine. Valerie, impossibly cute like I want to be, should be but Valerie’s married to a rock star in real life. I want so hard for this to be my life, but mine is this belly, round like a basketball. My mother is saying how far along, and who is the father. I’m saying I read Valerie and Eddie want to have a baby. Valerie’s mother is saying God help me and my mother is saying oh God and I’m saying dear God what am I going to do and Valerie’s shimmering outside the TV now. My body disintegrates into static while my mother's talking in the background. Valerie’s holding out her hand. Valerie pours me a Coke. I click the remote and her mother and sister disappear. I sit down next to Valerie on the couch and she's saying listen, it’s going to be okay. 



Mollie McLean is a neurodivergent housewife and writer living in Austin, Texas with her boyfriend and a bunch of used cats. Her work has been featured in Pithead Chapel, Barren, and the Disappointed Housewife. You can find her intermittently on Bluesky as @pennypriddy.

 

'A Guide to the Cretaceous Fossils of the East Norfolk Coast' by Jenny Hart

Davey hops between rock pools, checking the base of cliffs for promising stones. Usually there's nothing. A flat faded ammonite if he's lucky. He wants to find an amethyst but knows that won’t happen on a cold beach on the coast of Norfolk.  

One time he invited a girl named Suzy. She wore colourful tights and impractical shoes that kept slipping off in the sand. She’d found a round rock with a line through it. Then, laughing, threw it into the waves and dusted off her hands. He thought she looked like a gonk with her hair sticking up. 

He comes alone now, running his hand over the warm surface of a rock exactly like the one Suzy had thrown away so many years ago, down to the ring of silver white that encircles it. He pulls out a little hammer and kneels, wincing at a pebble under his knee cap. He taps. 

There is a crack. A puff of white dust. A noise like a yawn. Little Burgundy fingers tipped with the tiniest red claws stretch and curl around the rim of the stone egg. Davey eases the halves apart. There’s a red belly, banded in scales. Big yellow eyes. And teeth. Row upon row of tiny little scimitars. Davey gives the tummy a tentative prod. It’s hot to the touch. The thing hiccups and snaps at Davey’s finger, before wriggling round onto its feet. It unfurls wide leathery wings.  

With a wag of its tail, it leaps forward, flapping furiously until it catches an updraft and sails into the sky. It swoops down to steal Davey’s lunch. Then, with a graceful hop, takes to the wing again and soars off over the ocean. 

Davey looks at the remains of the eggshell.  

Two halves. Lined with purple amethyst. 
 



Jenny Hart is a writer from England with work published in Frazzled Lit Mag, Trash Cat Lit, Urban Pigs and others. She lives across the road from a cemetery, with her two cats, Jason and Jeff.

You can follow Jenny on Instagram, Threads and Twitter/X using @JennyHart2001

 

'Cheese Louise' by Chaz Osburn

“You’ll never guess what happened this afternoon, Louise.”

“Do tell.”

“I convinced someone to buy your book!”

“You mean, ‘What A Friend We Have In Cheeses?’”

“Yup.”

“No kidding?”

“Yes, I was at the bookstore and noticed a woman leafing through the pages. We started talking and… ”

“And?”

“I mentioned that we are friends and that you grew up in Cheshire and went to Derby to study to become a professional affineur...”

“Actually, it was the other way around. But then what happened?”

“She wanted to know if I had read it.”

“And?”

“I told her yes—that it is really Gouda!”



The author of two novels, Chaz Osburn’s background is in the newspaper and magazine business and in PR. His short stories have been published in Amazing Stories, Sci-Fi Shorts, Bright Flash Literary Review, Alternative Liberties, Every Day Fiction and Altered Reality, among others. He lives in Traverse City, Michigan.

 

'Brandi says the Tooth Fairy Loves Her Best' by Emma Phillips

Her teeth are so perfect, they’re earmarked for ten-dollar bills. Brandi never goes hungry. She blows pink bubbles like birthday balloons while I shush the voice warning me not to steal her pearl-white canine and stash it in my empty lunchbox. When Brandi checks her backpack at recess, I slip her tooth against my gums and suck like it’s no big deal. Instead of dollar bills, I get detention.  

When my incisor finally falls, the tooth fairy goes all-out for revenge. There’s no trail of glitter like Brandi said, just a Mini Tootsie Roll and a sellotaped nickel. 



Emma Phillips lives by the M5 in Devon, which sometimes lures her away in search of adventure. Her words have recently appeared in Trash Cat Lit, Temple in a City, Raw Lit and Literary Namjooning.

 

'2:19 p.m.' by Chris Scott

At 2:19 p.m. every day, we suddenly know. Everyone knows, the whole world. It stops all of us in our tracks, whatever we’re doing at that ex...