Saturday, 22 June 2013

'In the shadows' by Angele Anderfuren

Nearby. Look. Right there. Freeze. Listen… closer still.

The dog barks echo through the trees. In the habitual darkness he looks around in an all too familiar scene…
“Waa Waa Waa Waa Woof”
“Wuh Wuh Wuh Wuh Woooof,” replied.
My hairs slowly rise, like static cling, to an invisible balloon, grazing my neck, my back, my tail, moving ever so slightly in silence, even the ants below can’t see as they march by, even right in the path of the moonlight. Hold the shadow steady.
The blind owl calls out, “who-who, who-whoo.”
Interrupting those filthy beasts, his hoots roll off the leaves by night, like the light on the river as it travels over the rocks.
The hawk flies through the clouds. The squirrel glides branch to branch.
My chance… and his.
Claws dig into the dirt, then wood, deep. Slow motion, sped up.
The barks bite the air, so close the sounds almost nip my toes, unnoticed in the commotion.
Perched up there for a quick bath under the humming lamp light, dancing above with each flick of his tail. The others trapped thanks to the fence, panic returns as I hear his customary call…
“Silly dogs, I bid you adieu,” he mocks. “I spy an old grey friend lurking in the tall grass there – looking and listening and hoping I did not see him scamper through the shadows.”
The chase begins again.

'Sweat and Tears' by Diane Simmons

It’s June 1974, inter-schools sports day, Armadale Academy, Scotland. It's hot and I've the whole day off school in exchange for a few  seconds of effort. I've to run in the 100 metre hurdles and the 100 metre running race and then rest of the day is mine to lie around. My pals and I make the most of our freedom, spending the morning sunbathing, our pale legs pink and sore by early afternoon. Perhaps it's the sunburn or maybe the three bags of crisps and glugs of Irn-Bru I demolish before my races, but I get no further than the heats. This leaves me free, so I spend the rest of the day watching. When I say watching, I don't mean watching athletics, I mean boys, well one boy really – Ian Mackay.
        Ian Mackay starts every school week with double maths. He's fifteen and in the year above me. I’ve got his timetable copied neatly out on pink paper, decorated with hearts. The route to my own lessons is dictated by Ian's timetable and the decision over which staircase to go up or down, ruled by which classroom he will be queuing outside. He never notices me, looks straight past me the few times I've managed to look directly at him. We've never spoken.
        Ian Mackay is running in the 800 metres – two whole laps of the track when I can stare at him. He looks gorgeous on the start line – his tanned legs stand out amongst the pale Scottish skin of the other runners. I have idea why he's so tanned, but I'll take it. He makes it through both his heats easily.
        My pal Shona's been nice to me all day and watches his races with me, but by the time of Ian's final race she's sulking a bit, says she's too tired to get up from sunbathing. I know why she's grumpy and decide not to push it.
        Ian's the tallest on the start line and it's obvious he's going to win. He must be six foot and his legs look powerful. I picture him pounding round the track, his face and legs sweaty from the effort. I imagine him sprinting towards the finish line, running towards me, cupping my head in his hands and kissing me passionately. Fat chance.
        The race starts and he is in the lead from the beginning. When he is half-way round I realise that I am crying. I wipe the tears with the back of my hand and walk away, but they don't stop. This isn't some story from 'Jackie' magazine – Ian isn't going to run into my arms, isn't going to kiss me – not now, not ever.

        Today is the last time I’ll ever see him. Friends tell me there will be boys in Blackpool, that it'll be fun to live by the sea, that they wish they could move somewhere new and exciting.
        I'd settle for staying here, for being kissed for the first time.

'Frankie' by Sarah Tarbit

I was six when Mam died. Dad bought me a ‘good blood’ rooster from Maurice at the allotment.

     He said, ‘My dad gave me one when I was a boy. Said cocks don’t fight to live, they fight to kill. They’re hard. They fight with honour and pride. They fight for their women.’

     First thing he did was slice off his Frankie’s comb and wattle.

     ‘They make him weak. Need to be removed.’

     Frankie flapped, squawked, squealed to be free.

     ‘Count yourself lucky I’m doing this for you. My dad made me do it myself.’

     Through the winter I spent my pocket money on oats, wheat, split peas, long grain rice, corn and barley. In the summer, sunflower seeds instead of corn.

     For his first fight we fed and weighed him in the morning. Come the afternoon he’d shat out an ounce. If his shit had big, green globs in it, he was still bloated with food. When it was like white gravy he was ready.

     At the fight, Dad dismantled a razor, tied the blade to Frankie’s foot. Dad and Maurice held the cocks from behind, squeezed their breasts to keep them still. They billed the cocks, brought them face to face, hoisted them towards each other, back and forth, pulled at their feathers until they were angry enough to fight. Then they threw
them at each other.

     The fights happened in bursts in the air. They screeched, squawked, their feathers puffed up, wings flapped, claws grabbed and sliced, skin and muscle were nicked open, bled. Feathers floated through the air, stuck to pools of blood on the ground.

     Frankie’s eye was cut up. He stopped, turned his good eye to the other cock, started on him again.

     It took forty-five minutes for Maurice’s cock to kill Frankie. I ran home, pushed my cardboard box full of toys in front of the bedroom door.

     Dad came home pissed, sat at the other side of my door.

     ‘He was a fighter!’

     I cuddled the bear I’ve had since the day I was born.

    ‘You need to see through the blood to something pure, noble.’

     Mr Bear smelt like Mam. She’d spray her perfume on it at night, a comforter, so I’d sleep in my own bed.

     ‘I needed you to see it. You should have that hardness in you, tofight, when you need to.’

     I pulled at the loose stitching along Mr Bear’s stomach.

     ‘It’s nature. She’s not kind. She doesn’t give a fuck. The spider kills the fly. The fly feeds the spider.’

     ‘But what if I’m the fly?’

     He looked me in the eyes. ‘You need to be the spider.'

'The Last Last Ride' by Peter Domican

You’d stay on this small roller coaster ride all summer long if you could and if I were a rich man, I would let you. Is it fun riding around in circles? You’re only nine; of course it’s fun. Most things are fun when you’re nine, except doing your homework, tidying your bedroom and going to bed when you’re told! But going round in circles, that’s real fun.

Another ride? OK. I’ll take some more photos for your Mum. For me too, but I won’t need to look at them. I’ll remember this moment like it was yesterday.

Last year, you were losing your baby teeth; the Tooth Fairy had deep pockets. Now you have a beautiful wide smile. One baby tooth hangs on stubbornly but soon that will be gone and then that smile will be perfect. You’re not a baby any more, except to your Mum. You’ll always be her baby.

It’s a quiet day and the operator lets you go round an extra couple of times. I’ve lost count now. You never grow tired of this ride. Your Mum can’t understand the attraction but I understand much better than you think. I never grew tired of the ride when I was nine.

My ride was different; a fairground carousel in a Northern seaside town with beautiful carved wooden horses painted in garish colours taking part in an imaginary race. Each horse would pull ahead then fall behind whilst I clung on tightly to my charge, looking out for my mother and father. They stood together patiently as I sped by, going round in circles, smiling and waving at a happy little boy that would soon grow tired of such childish things, who wanted to grow up too fast. It was a lifetime ago but yesterday too. I wonder what they were thinking then? Now I’ll never know.

Another ride? Last one, OK? And then we’ve really got to go.

At the end, you run straight past me towards your mother. She looks tired and distant but, as you approach, her face lights up as she listens to you, all breathless and excited. You grow more like her every day. You look to me for signs of weakness and plead for a ‘last last’ ride. You pull a sad face then flash that smile, not sure which tactic will work best. You know I am the verge of giving in but I smile and shake my head.

It’s time to leave. It’s getting late and your Mum’s tired, but the nine year old in me wants to say yes. I wish we could stay, that the ride could go on forever.

I wish for a ride when the world wasn’t on my shoulders, when I didn’t disappoint, when time didn’t matter and going round in circles was just fun once again and not a punishment. I want that ‘last last’ ride too.

First published via #fridayflash on 10 May 2013

'Motherhood' by James Giddings


She could hear the chains rattling inside the room. She pulled a little gold key out from her trouser pocket, placed it in the lock and turned. This wasn’t how she wanted it all to turn out, but she was doing her best.
            As the door opened the rattling became more frantic.
            “I brought you some food darling,” she said, taking the tray from outside and placing it on the little oak table, “tomato soup, your favorite.” Steam came off the top of the soup like asphalt in a heat wave.
            “You’re going to have to eat it this time honey, you need your strength. It’s one of your five a day; it’s good for you.” She said.
She looked at the little girl chained to the chair; she hated that she had to be kept like this, like an animal, but she couldn’t be trusted to let her out. Trust had to be earned.
“I’m going to take this off you now, ok?” She put her hand on the gag. “I’m going to take it off so you can eat your food, do you understand?” The girl mumbled something into the fabric of the gag, her eyes doing the communicating.
“I don’t want this to be like last time. You know Mummy doesn’t like it when you scream.”
The girl nodded.
She had always wanted children, ever since she was young, but she had never imagined how difficult they could be. It was hard being a single mum.
She pulled down the gag. The girl was quiet.
“There’s a good girl. Mummy’s proud of you. Now open up.”
She aeroplaned the spoon of hot soup into the girls mouth. This was the part of motherhood she missed, the feeding and looking after. It was times like this that it didn’t matter that the child wasn’t her own.

Welcome to Issue 4 of FlashFlood

Well, hello there, and welcome to issue 4 of FlashFlood.

The first issue came out just over a year ago, produced to tie in with the first National Flash-Fiction Day. In that respect, this is the anniversary issue, as it is appearing on 22nd June, 2013, the second Flash-Fiction Day.

And so, you're wondering, what have we learned in a year of publishing this journal?

Well, we have learned that there is a seemingly inexhaustible supply of flash-fictions out there, and that it's possible to publish literally hundreds of stories without getting bored, or repetitive or disenchanted with this tiny form.

If anything, it seems that with the increasing spread of flash-fiction, the standard of work is getting higher and higher. This does mean that the bar is rising with every issue and so, if your work wasn't accepted, please don't be disheartened, you faced some stiff competition.

Of the work we have accepted, we travel through the whole gamut of styles, genres, perspectives and possibilities. And we have jumbled them all together to give you a constantly surprising experience as you read through.

We managed to find nearly 140 pieces this time, which means that a new story will be appearing at a rate of just over one every ten minutes. And, if there is one thing I have learned from a year of editing this journal, it's that this is the way that flash should be. A downpour, a torrent, a flood!

So, sit back, get ready for the soaking, and we hope you enjoy reading issue 4 as much as we enjoyed putting it together.

Until next time,
happy flashing!

Calum Kerr
Editor, FlashFlood and Director, National Flash-Fiction Day.


Your editors have been:

Shirley Golden
Susi Holliday
Susan Howe
Caroline Kelly
Calum Kerr
Cassandra Jane Parkin
Nettie Thomson

Friday, 14 June 2013

Flooding for National Flash-Fiction Day 2013

Yes, it's that time again, and the journal originally created for National Flash-Fiction Day will take to the virtual airwaves once again with a fourth edition.

The aim is simple, wherever you are in the world, we want your best flash-fictions. The word limit is 500 words, but that's the only rule. Any subject, any genre, any style, any perspective, anything as long as it's flash.

Submissions close at the 23.59, Thursday 20th June 2013 (BST), so don't delay.

The stories will be posted regularly throughout the day on National Flash-Fiction Day itself, Saturday 22nd June, providing you with a constant diet of brand new flash-fictions to fill your day.

Please paste your story into the body of your email and send it to flashfloodjournal@gmail.com. (A maximum of 3 pieces per author, please. Previously published stories are okay, but please include a citation to the original version.)

We can't wait to read your work!



Please note: Because of the flood of entries we receive, the editors will be unable to provide feedback on stories or give reasons for rejections. There are many reasons other than the quality of your story (a topic which has already been accepted, a topic which is over-used, veering more towards poetry than the editor likes, veering less towards poetry than the editor likes, personal taste) so please don't be disheartened or offended if your piece doesn't make it in.

2026 FlashFlood: The Complete List

In case you missed any of the pieces we appeared during the 2026 FlashFlood, here's an index to everything.  Sadly, the 'Blog Archiv...